Seven

What does it cost to save a soul?

Theatre stage in silhouette beneath a hard spotlight and smoke
A bold new property for the UK stage — built for producers looking for a distinctive, scalable musical with a sinful edge.
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The Musical

At it's heart, Seven is a story about people who don't feel good enough.

Why this story?

Behind the comedy, temptation and larger-than-life world of the Seven Deadly Sins is a very human story about loneliness, self-worth and the pressure to become the person we think the world wants us to be. It asks what happens when we spend so long focusing on everything we believe is wrong with us that we lose sight of everything that makes us worth knowing. That question feels particularly important when telling LGBTQ+ stories. For generations, LGBTQ+ people have been made to feel that simply being themselves is something to hide, apologise for or even regard as sinful. Seven deliberately takes the language of sin, judgement and redemption and turns it on its head. It's LGBTQ+ characters are not defined by shame or treated as problems to be solved. Their identities simply form part of who they are, while their struggles with love, loneliness, rejection and belonging are allowed to be messy, funny and recognisably human. Mental health and emotional isolation sit at the heart of the story too. Seven explores the damage caused by comparison, low self-worth and the belief that everyone else is coping better than we are. It looks at the masks people wear, the mistakes they make when they are hurting, and how easily loneliness can convince someone that they are unwanted or beyond help.

Abstract red light and shadow study
SEVEN
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Music

a score full of heart

A preview of Seven's musical identity

01Green With HopeDemo excerpt
02What I Should Have SaidDemo excerpt
03A Dance With The DevilDemo excerpt

Audio previews are illustrative for this design preview.

Creative Team

meet the team

Portrait of Ben Sheldrick, book writer and lyricist01

Book & lyrics

Ben Sheldrick

A Theatre Directing graduate from Middlesex University, Ben has been writing plays and developing original theatre since the age of 16.  His smaller-scale original works have previously been performed at the Edinburgh Fringe, with his writing often blending comedy, emotional honesty and contemporary themes through strong ensemble-led storytelling. Inspired by the idea that people are capable of change, Seven explores temptation, redemption and what it truly means to confront the darker parts of ourselves.

Portrait of Chris Burgess, composer02

Composer

Chris Burgess

For over 20 years, Chris has been writing, arranging and recording music for theatre, film, television and media. In that time he has worked with Millfield Theatre, The Dugdale Centre, The Spotlight, Lichfield Garrick and Hoxton Hall.  His many clients include Trinity College London, Harrods, Hal Leonard, and Performers College.

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Development

the journey so far...

Performers on a scaffolded stage under green and violet lighting
Ensemble performing beneath purple stage lights
Dancers performing under magenta stage lighting
Performers gathered under blue and magenta lighting
Cast gathered together onstage under warm theatre lighting
Singers and dancers performing under purple and magenta lighting

01

the first draft

It's 2024 and the world of Seven and it's characters began to take shape. Developing the story of Envy, her wager with Lucifer and the human soul caught in the middle of their bet.

02

the first full production

In May 2026, Hereford College of Arts staged the first full R&D production of Seven. For the first time, the complete musical was performed in front of an audience, allowing the piece to be tested as a whole and providing invaluable feedback from audiences, performers and creatives. Rather than treating that production as the finished product, it became the starting point for the show's next stage of development.

03

a new collaboration

June 2026. Following the HCA production, composer Chris Burgess joined Seven to develop and expand the musical identity of the show. Throughout the summer of 2026, development continued through studio recordings of the new songs. This is ongoing as the score takes shape.

04

the next stage

BEAM & MMD In November 2026, Ben and Chris will pitch Seven to Mercury Musical Developments as part of the selection process for BEAM, the UK's largest showcase of new musical theatre. From its first workshop room to its first audience and now towards its first industry pitch.. Seven continues to evolve. The journey is only just beginning.

Next Steps

connect with us

Stage light cutting through theatre smoke
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